Find love or die trying naked
“Swarm”ĭeep in the mountains of Afghanistan, a squad of Special Forces soldiers has the dangerous job of recovering a hostage held by terrorists. However, if that sort of Adult Swim-esque crude humor is your jam, then “Kill Team Kill” is a gory good time, super macho to the point of hilarious parody. If you don’t find that funny, you probably won’t enjoy this short. Robots: The threat they face is a cybernetic grizzly bear, but they also team up with a cute li’l robot pal.ĭoes it work? “Kill Team Kill” opens with a shot of someone taking a piss off a cliff top and leaking all over the camera. It’s so over-the-top in terms of guts and gore that it wraps back around to being hilarious. Love: There is certainly something like love between the team, though they show it by mercilessly making fun of each other.ĭeath: A whole lotta really gory death! The Special Ops team discovers that the platoon they’re supposed to meet up with has been literally ripped to shreds, and it only gets more dire from there.
Find love or die trying naked full#
Young, dumb and full of… blood, lots and lots of blood, a ’roid-raging, adrenaline-fueled force of US soldiers faces a foe unlike any they have faced before, the result of a CIA experiment that gets really fucking Grizzly. It’s a story of survival, one that builds up to a deliciously ambiguous ending. She keeps hearing her lost co-pilot’s voice reciting poetry to her, which imbues even more mystery into Martha’s situation. As Martha treks across Io’s wasteland, she begins to see the landscape shift around her, rendering itself in spectacular colors and shapes. More so than most of the other shorts, this one really leans into its medium. Or it could be Martha hallucinating.ĭoes it work? “The Very Pulse of the Machine” is gorgeous and evocative. Robots: Kinda? There’s something out there on the barren moon that could be some sort of machine. She drags her co-pilot’s body along with her in order to use their oxygen supply as she treks across Io trying to contact their superiors. And then the co-pilot dies, so we don’t ever learn more.ĭeath: In the first moments, a disastrous accident leaves Martha as the only survivor. Love: There is some sense of camaraderie between the main character, Martha, and her co-pilot at the very beginning of the short, but we don’t really know what their relationship is like outside of work. When an exploratory expedition on the surface of the moon Io ends in disaster, an astronaut must trek to safety, dragging the body of her co-pilot, while using potentially mind-warping drugs to deal with the pain of her own injuries in this trippy tribute to comic book legend Moebius. Who’s an ally and who’s an enemy? Who would rather unleash the creature onto thousands of innocent civilians, and who would sacrifice themselves to save those people? It’s tense and eerie, leading to a satisfying conclusion.Īctually, it’s almost like Among Us, if Among Us took place on a pirate ship on a distant planet and also involved a human-devouring crab monster. It’s mostly wheels, rigging, and sails instead of smart AI.ĭoes it work? Keeping the story contained on the ship adds to the heightened suspense and suspicion. Robots: None at all! This short definitely leans on Age of Sail technology, even though it takes place on a distant planet. The body count in this one is brutal, though a lot of the actual flesh-eating happens off screen. But the crustacean creature apparently loves human flesh.ĭeath: Loads! Gotta keep the creature fed, after all. Love: There isn’t much love among crewmates - certainly the man who proclaims himself leader doesn’t agree with his crew’s moral decisions. Mutiny, betrayal, and ventriloquism with a corpse… welcome aboard the animation directing debut of David Fincher. “Bad Travelling”Ī shark-hunting sailing vessel is attacked by a giant crustacean whose size and intelligence is matched only by its appetite.
![find love or die trying naked find love or die trying naked](https://pyxis.nymag.com/v1/imgs/bbb/b22/f1e14eaf63041541c611d5fe904400a11b-01-everybody-wants-some.1x.rsocial.w1200.jpg)
The kicker at the end of this one is basically the same as the one in the first short, but somehow more hilarious. But it’s still oddly charming to see the robots tour the dilapidated remains of human civilization, making pointed jokes about how tech billionaires thought they could survive the apocalypse without any survival skills. The fall of mankind is actually comedic.ĭoes it work? Because the joke behind the robots’ vacation is the same as it was in season 1, the jokes in this “Three Robots” sequel aren’t as funny as they were the first time. Love: Once again, these three robots are buddies who certainly share strong platonic love.ĭeath: Various human corpses the robots find in increasingly compromising positions. The titular trio of droll droids return to take a whirlwind tour studying post-apocalyptic human survival strategies before mankind was finally snuffed out. The first direct sequel in Love, Death & Robots history - from the mind of acclaimed sci-fi novelist John Scalzi.